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I use the magenta (pink) markers for random things like, “Remember you didn’t use that other shot because there was a logo in the background.” If there is something that I desperately need to remember in the future I’ll use a red marker. I use other colored markers for other things besides notes on revisions. When I work with the two colors I can quickly scan through the sequence to see how much I’ve done and how many revisions I’ve made in total. When I make a change, I change the marker’s color to blue and write the word “done,” my initials and the date before my comment.Įxample: “DONE JMS 04.08.15 – Fix Dissolve” This is so you don’t have to go back to refer to emails or sticky notes. Go through with the cyan marker and add a new one each time there is a change to be made. I use cyan (light blue) for everything that I still need to do. With Media Composer you can choose the color marker you want to use. This is the track where I place all my markers. You can leave the name off in a single-editor environment. I right-click on the track name and choose Rename Track… Then I rename the track from V20 to my name and the date. For Media Composer I use Cmd+Opt+Y (Mac) or Ctrl+Alt+Y (PC) to create a new track at a custom track number. It’s best to have a workflow in place to deal with them. Using NLE Markers for Revisions in a Workflow